Small Birds Singing gently canters across a city’s green spaces covering a twelve-month seasonal period from September to August. Observing and recording the everyday acts of life, stanzas comprise two lines typeset asymmetrically.
Effectively, this brings structure and order to the sheer volume and apparent randomness of the content. Often, it is used to juxtapose what may seem mundane with a reflection that encourages the reader to a deeper level of understanding of our reliance on and interaction with the objects around us: Thinginess and Thinkiness as Welton describes it, as seen here in "October":
a woman in the doorway, holding her palm out into the rain
in each window of the apartment block, a tall yellow flower
in a curving brick wall, a curved wooden door
pigeons on a flat felt roof
the heap of shabby mattresses behind the hotel
the deeper the thinkiness we drag ourselves into
Journeying through the seasons allows the poems to draw heavily on nature for context and placement of both the everyday acts and surrounding items that are the backbone of the collection. It is here that the gentle canter has potential to move into more of gallop inviting the bigger questions, as noted in March:
our faces fizzling from the frozen rain
two small crows on the rusty railings
a heap of compost twice my height
resembles the mumble of the unending wind
a magpie taking a twig from one tree
to add to a nest in another
the table lamp topples
to meet our attention
Small Birds Singing is an innovative, book-length poem full to the brim with everyday observations, occurrences, items and natural rhythms that make up the fabric of our human experience. The appeal is wide, particularly for artists, poets and readers who love to walk, record and reflect.
Christine Hammond began writing poetry while studying English Literature at Queen’s University Belfast. Her early poems were published in The Gown (QUB), The Female Line (NIWRM) and feminist publication Women’s News, where as one of the original members, she also wrote Arts Reviews and had work published in Spare Rib. She returned to writing again after a long absence and her poetry has been featured in a wide variety of anthologies including The Poet’s Place and Moment (Poetry in Motion – The Community Arts Partnership), The Sea (Rebel Poetry, Ireland), all five editions of Washing Windows – Irish Women Write Poetry, Her Other Language (Arlen House) and literary journal The Honest Ulsterman. She has also been a reader at Poetry NI’s Purely Poetry open mics in Belfast. Her collection Sojourn – Moments in Poetry is now available on Amazon in both Paperback and Kindle format.

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