Showing posts with label Rob Gee. Show all posts
Showing posts with label Rob Gee. Show all posts

Thursday, 20 May 2021

Review by Kate Durban of "The Day My Head Exploded: Poems About Healthcare" by Rob Gee




If you haven’t discovered Rob Gee and his wonderful poems you are in for a treat. Rob is a nurse and a poet. Until recently he was retired from the nursing profession but returned to help out during the Coronavirus pandemic, an action that seems typical of the generous and committed nature that shines through in his poems.  As a fellow nurse I jumped at the chance of reading and reviewing this collection. What a voyage of discovery it has been.

Rob’s approach to nursing and life are irreverent, comic (sometimes deliciously and darkly so), compassionate, inclusive, poignant and political. All at once!  How does he do that? One of the keys to Rob’s success is the desire to share not only his own voice and perspective as a nurse, but also those of his clients, their families and his colleagues. Hence many of the poems are group poems.

Rob’s work is seriously insightful and seriously funny. Who couldn’t laugh out loud in delighted recognition to read: 'the receptionist had all the social skills of a neglected commode' (from the title poem). Rob uses wonderful imagery, which conveys observations about the world of mental illness and its related care environments with great clarity. For instance: 'Ben’s psyche is unraveling / like the thread on a crap cardie.' And: 'Herman prattles on forever / Each word knitting his brain back together.' These images say so much in so few words. They linger in the mind.

Rob’s poems don’t shy away from the huge costs paid by the people suffering with mental (and physical) illness and those caring for them. In 'Elsie’s letter,' a woman with dementia pleads with those who look after her that: 'When I finally lose it all / please give me somewhere soft to fall.' And in the poem 'Our loss,' Rob describes the response of staff and patients on a ward after a suicide as: 'The grief went through the ward like a horrific ripple.' We all grieve.

It is this sense of community on the wards which is as authentic as it is heart-warming, and as I read the poems I felt deep vibrations of recognition and resonance, both as a nurse and as a human being. The poems are full of stories all the more beautiful because they are true. In the poem 'Psychiatric Crash Team,' Rob is called in when a patient becomes aggressive because he wants to go out and buy cigarettes. When Rob bumps his head on the doorframe this patient stops what he is doing, leans down and holds out his hand to help him up. Then, the whole ward have a whip round, not for money, but for tobacco to give their fellow patient. As Rob says, we are all 'part of each other’s journey.' The lines between patient, nurse and carer are blurred but in a good way. Except, that is, for the awful 'Dr. Brice.'

Whether you are a nurse, or  someone affected by mental illness as a sufferer or carer, or you just like good poems, don’t miss Rob Gee’s wonderful new collection. It will make you laugh and teach you a lot about how to live life with compassionate generosity, integrity, and a large dose of irreverent humour.


About the reviewer
Kate Durban is a Cancer Wellbeing Specialist Nurse who lives in Northamptonshire with her husband and two dogs. She is currently an MA in Creative Writing at the University of Leicester.

You can read more about Rob Gee's The Day My Head Exploded, as well as a sample from it, on Creative Writing at Leicester here

Sunday, 27 September 2015

Review by Jodie Hannis of Commonword’s “Superheroes of Slam - Leicester Heat”

                                             Photos provided by Katy Pitcher


Commonword’s Superheroes of Slam 2015 - Leicester Heat was held on 17th September at Attenborough Arts Centre in collaboration with Dare to Diva, and due to a crippling inability to withstand tension for any significant amount of time, I’m going to tell you now that the winner was Jenny Hibberd. It’s difficult to describe her with words that mere mortals use as she is a poet best experienced in motion. You find yourself skip-hop-tripping over your own feet as you follow her into a dizzying world of cosmic chaos and calm. She writes like a master word slinger and speaks like a mad rhyme flinger... it must be loud inside Jenny’s head. And it’s plain to see that she’s anxious to share, even if it’s just a glimpse, the exuberance with which she moves through this bright world. It’s impossible not to be infected by it.

And so Jenny represents the best of Leicester’s poetry scene. In all, 19 competitors shared their words and the experience was happily embraced by all as one of exceptionally high standard. There’s always something jarring about being snapped out of a literary reverie to blink blindly at the scorecards rudely pushing themselves into the occasion.  As compere Rob Gee tells us, “the point isn’t the point, the point is the poetry.” But a winner there must be and Jenny is she, who goes on to compete in the final held in Manchester on 23rd October. £250 can afford the luxury of many pencils to many poets.

And there are so many poets that deserve those pencils. Honourable mentions go to many, including the five others that went through to the second round and performed for us again. Tony LeTigre is all smooth rhythm, charm and extended metaphors as he tells us about his love of shoes and toast, but he’s anything but pedestrian. Andrew Lee’s words seem to vibrate throughout his whole body and it’s difficult to look away from him as he constantly looks like he’s teetering on the edge of something significant. Shruti Chauhan scores incredibly highly and I’m captured by her startlingly self-deprecating deconstruction of herself. Toby Campion represents Leicester strongly with two regionally-patriotic pieces and we’re all roused to agree with him fiercely in the typically British way of clapping and nodding our heads vigorously. I suspect people would follow him into battle if the occasion called for it. Leanne Moden catches me a little off guard with a barrage of descriptive euphemisms for her “hairy meat pocket” and I curse myself retrospectively for not scribbling them all down. I particularly love her second poem which describes an incredibly important moment for her without stating the obvious. It reminds me that we’re privileged to have poets share secret parts of themselves with us so freely and that every now and again, they should keep something back for themselves.

Details of future Superheroes of Slam 2015 events can be found here: http://www.cultureword.org.uk/sos15/
Jenny’s winning poem can be seen here:
https://www.youtube.com/watch?v=FG0bp9wtZGc

About the reviewer
Jodie Hannis chases after words at every opportunity. If you have some, chances are, she’d like to hear them. She also occasionally runs away from ones she puts out into the world herself: http://notsoftly.tumblr.com/