Mary Bailey published her pamphlet of thirteen poems in 1826 to raise money to support her nine children. Her poems offer an insight into the world of working-class women in the 1820s and, in particular, Mary Bailey’s life. John Goodridge’s introduction to this revised edition offers context to the poems in terms of time, place and social class.
Lace-runners were employed to embroider patterns onto lace, and in "Petition to the British Fair" Bailey writes: "How hard have we work’d, and our eyes how we’ve strain’d, / When those beautiful flowers we run." Later in the poem, we discover this work isn’t rewarded as well as it should be:
How pleasant’s the task, whenever we’re ask’d,
To work hard to beautify you;
Then I’m sure you will own, with candour, unmask’d,
Good food and good clothing’s our due;
But the price is so low, that, sad to relate,
We cannot these blessings obtain.
Bailey never views her nine children as a burden in spite of her poverty. "To a Lady who desired me to pray for the death of my youngest child" is her response to the woman who made this heartless suggestion. Her love for her children is clear in the lines "Her innocent smile shall my troubles beguile, / And make poverty light as a feather." In the final stanza she comments "lady, forbear to advise, / Till a mother’s affections you feel." In "The Author to Her Infant Twins," she expresses similar sentiments: "Welcome, dear little strangers, welcome here, / Altho’ to keen adversity you’ve come."
"The Locust" is addressed to her daughters and carries the message they should never be cruel. This poem gives us a strong sense of Bailey’s character. She is horrified to discover two young girls playing with "a poor little locust, pierc’d through with a pin." She tells them:
To a nice school you go, where a lady doth teach,
And you much finer feelings should learn;
But, I’m better than you, though my frock’s common blue,
While my heart doth such cruelty spurn.
Bailey may have published her poems to meet an immediate financial need but two hundred years later they are still relevant.
About the reviewer
Karen Powell-Curtis has a PhD in Creative Writing from the University of Leicester. Her poetry has been published in various anthologies and magazines.
