Showing posts with label Chatto and Windus. Show all posts
Showing posts with label Chatto and Windus. Show all posts

Monday, 10 January 2022

Review by Joyce Bou Charaa of "Call Us What We Carry" by Amanda Gorman



"What we carry means we survive, it is what survives us. We have survived us." These are Amanda Gorman’s words in her latest poetry collection, Call Us What We Carry. This collection is a truthful message for all who choose to carry on despite the suffering and the aching that we feel nowadays, during the ongoing global pandemic.

In her poems, Gorman reflects deeply on the emotions that everyone felt during the lockdown: the pains of sickness, the loss of the people we love, the fear and anxiety of death, and so on.

Gorman’s poems in this collection focus on all the stages that the world went through in the pandemic: from wearing masks, to the isolation at home, up till the beginning of the recovery from the virus, by seeking hope and joy amid all this misery. Accordingly, each stage has its own sequence of poems, which Gorman wrote to every person surviving this "nightmare," as she calls it.

At the end of this book, Gorman brings us hope out of poems that focus mainly on the new beginnings of tomorrow, and the blessings of the morning. She writes of hope for the future, when life will go back to normal, and when everyone will finally find peace: "For it is in loss that we truly learn to love / In this chaos, we will discover clarity."

Gorman’s words are as power for our souls, that are suffering, while hoping to live for better days ahead. Her poems help us to take a closer look into our feelings of desperation and anticipation, reflecting on one of the most dangerous diseases that has hit the entire world.


About the reviewer
Joyce Bou Charaa is a Lebanese undergraduate English student and a book reviewer, whose articles are published in The Mark Literary Review and at NewpagesShe has also studied Journalism for two years, and has an intimate knowledge of Arabic, English, and French languages.

Friday, 18 June 2021

Review by Maryam Benrezzouk of "Idaho" by Emily Ruskovich



If you want to read a book that makes you feel like you are watching an emotive film, then Idaho is the book for you.

Emily Ruskovich has a natural affinity for words. They are like vines, growing around the pages and entwining with her story, so they cease to be black letters on a white page, instead becoming a blurred window onto her motion picture. She doesn’t just describe things, she adds a voice to them, increasing the volume when she needs to and beaming radio silence when the moment shouts for it. And what a loud silence it is. Behind everything is the soft piano music, gently playing to the rhythm of the characters’ lives as they go forward and backward in time.

It is all very well for me to talk about the poetic nature of Ruskovich’s writing, but I expect the burning question you have is: what is this book about? And I shall tell you, but not all in one breath, because I want to do the book justice.

It’s about a family, both past and present, shattered by horrific events and a degenerative disease. It is breathtaking, yet slow paced. It rises and rises in pitch as the book goes on, crashing loudly and beautifully at its highest peak, and then softly trundling down a rocky mountain towards the end. Ruskovich uses her writing talent to create a sequence of images of beautiful Idaho, her characters and their arcs.

It is a slow read, but there is so much to take in, and it leaps about between timelines, so it is sometimes hard to keep up. I was also left frustrated at the end because there were questions there that I felt weren’t answered sufficiently. I sat back and thought about that, however. The book was written in such a way as to reflect real life themes, emotions and human growth and change, and in real life there aren’t always answers - there are only humans dealing with questions, and growing with them, until they become part of what defines us.

Emily Ruskovich ensnared me with her rich poetic prose. She traverses the rocky terrains of treacherous topics and manages to make something vibrantly and painfully beautiful.

 

About the reviewer
Originally born in London, Maryam Benrezzouk then moved with her family to Leicester, after spending a good chunk of her life growing up in a hot country in the Middle East. She enjoys writing short stories and novels, spinning drama with a touch of fantasy. She runs two blogs on which she frequently publishes her writings, and also writes short stories for a children's magazine.