Showing posts with label Performance. Show all posts
Showing posts with label Performance. Show all posts

Tuesday, 17 May 2022

Review by Beth Gaylard of "Creative Writing Student Showcase" at Literary Leicester Festival, 2022

 


I attended lots of events that ran as part of the recent Literary Leicester Festival, but one of the most memorable for me was the showcase for Creative Writing students. Usually, as students listening to each others’ work, we are in a forum where commentary and critique are required. It’s quite rare to get a chance to listen and absorb peers’ work, without that requirement. For recently enrolled MA, PhD and BA students, working on our research through the pandemic, there hasn’t been the opportunity for any networking offline for ages, so there was a bit of a ‘school’s out’ atmosphere.

Ten writers, poets, storytellers and novelists chose extracts or short works not necessarily connected with their current projects and read them aloud to an audience of peers and their guests. Some were published, some not. The main objective was to choose something you liked that you’d written yourself, and read it aloud to a roomful of near strangers. While some readers confessed to feeling nervous, the event wasn’t billed as a performance, and most if not all of us read off the page. There was a feeling that it was a positive opportunity. Hopefully the listeners enjoyed it as much as the readers; they seemed to, judging by the applause and the buzz of conversation afterwards.

There is a simple pleasure in sharing work with an attentive, mutually supportive audience, and this is enhanced in the experience of hearing your own words aloud. You get that ‘leap off the page,’ that is so empowering when you’ve spent a lot of working time in a quiet place, on your own, perhaps feeling quite unsure that what you’ve done has any potential, let alone any significance.  

So … Please can we do it again!


About the reviewer
Beth Gaylard is a writer and PhD Creative Writing student at Leicester University. Published works include Firebrands, an SF novel and various poems. Her work in progress is a piece of rural dystopia. Her home is in Leicestershire.


You can read more about the Creative Writing Student Showcase 2022 on Creative Writing at Leicester here

Wednesday, 4 March 2015

Review by Nathalie Gannon of Two Destination Language's "Near Gone" at Embrace Arts, Leicester




“This is a difficult story to tell,” Katherina Radeva’s clear voice echoes around the darkened room. The set is bare, but for two long rows of white carnations framing the stage, 400 to be exact. The air is heavy with the scent of cut stems like a strange, stale garden. It is minimalistic, but it has a haunting beauty about it - funeralesque. The story is indeed a difficult one to express; delivered in a fluent and lyrical Bulgarian and juxtaposed with Alister Lownie’s stilted English translation, what is produced is a unique form of storytelling, coloured with mistranslations and pauses that reflect the limitations of language when expressing trauma and soul-wrenching emotion.

A performance that engages all the senses, Radeva and Lownie attempt to transport their audience physically and emotionally to a tragic event in which Radeva’s four-year-old sister was involved. The performance paints a vivid picture of Radeva’s family, their home in Sofia and its garden- the focal setting, through simple dialogue rhythmic with poetic repetition, and passionate yet precise physical choreography that reflects the vibrant and lively Bulgarian culture.

Initially energetic and humorous, Radeva charms the audience by insisting that the translation is rendered physically as well as verbally. She relishes in her partner’s hilariously awkward imitations of her feminine movements - his earnestness bringing a delicate intimacy to the performance and a bubble of laughter amongst the audience. As the narrative progresses it becomes labored when language fails to convey Radeva’s personal trauma as she hears of her sister’s critical condition in hospital, and is unable to do anything but wait for news.

In this performance piece of two languages, it is what is left unsaid, what is unable to be expressed, that which is without words, which Radeva wishes to convey. When words and language fail to perform their task Radeva breaks into a frenzied dance in which the neat rows of carnations are whirled and scattered haphazardly across the performance space, their broken bodies stark against the black floor reflecting emotional, mental and physical fragility.

A refreshing and honest performance that guides its audience through a full range of emotions, with a beautiful conclusion delicately framed by white carnations - the symbol of true love and good luck. An intimate yet casual setting, with the added bonus of meeting the actors after the performance, I look forward to future productions hosted by
Attenborough Arts (formerly Embrace Arts).


Two Destination Language will be performing ‘Near Gone’ in Birmingham on 14th March 2015.

About the reviewer
Nathalie Gannon is a 3rd year English student with a passion for the theatre. She spends her time costuming, writing short stories and trying desperately to get noticed.