Showing posts with label Ad Hoc Fiction. Show all posts
Showing posts with label Ad Hoc Fiction. Show all posts

Monday, 9 August 2021

Review by Asha Krishna of "Inside Fictional Minds: Tips from Psychology for Creating Characters" by Dr Stephanie Carty



Writers are constantly dealing with human behaviour. Why do the characters act a certain way? What makes them work? 

Inside Fictional Minds by Dr Stephanie Carty offers answers to these questions through clinical psychology. An NHS consultant psychologist, Dr Carty has written many award-winning stories and draws on her professional experience to show how emotions and defence mechanisms can be utilised to create strong, fictional characters.

Such a book might feel a bit overwhelming as it battles the possibility of information overload. Thankfully, Inside Fictional Minds avoids that pitfall and has a clear focus on the writers’ needs. The succinct chapters allow the reader to examine and assign the different emotions and constructs. They are followed by tasks so that the writer can play with the concepts and try out the best fit for their characters.

Divided into three parts, the book has a focussed approach in how it navigates through a minefield of information. The first section, 'The Basics,' discusses how emotions, perceptions and desires shape a character’s persona. 

The second section, 'The Specifics,' explores traits like narcissism and perfectionism and their effects on character. The third section, 'Putting It All Together,' discusses the crucial element of change. The character’s main function is to change over the course of the story and this chapter is packed with useful tips to map that journey. 

The book also recognises the role of a reader while constructing a narrative. Dr Carty’s firm grip on the craft, fused with her professional experience, works well as she balances character insight and reader involvement to build a strong story.

Overall, this is a valuable tool for the advanced writer. Whether a story is plot-driven or character-led, adding dimensions to characterisation elevates the story and this book helps the author do just that. 


About the reviewer
Asha Krishna hates homeschooling but loves seeing her name in print. She is a proud mentee of the Middleway Mentoring project, a professional scheme for emerging writers, and writes short stories and flash. Her work has appeared in Flash Fiction, Leicesterwrites and In the Middle anthologies. She lives in Leicestershire and tweets as @ashkkrish. 

You can read more about Inside Fictional Minds on Creative Writing at Leicester here


Friday, 11 September 2020

Review by Laura Besley of "This Alone Could Save Us" by Santino Prinzi


 

          What would be lost if the moon were to disappear, how ordinary the sky might be
          without it.
- Santino Prinzi

The moon features heavily in Santino Prinzi’s flash fiction collection, This Alone Could Save Us. Sometimes a recurring character, always a metaphor for each of the powerful stories in this collection, the moon is steady, looming large above us, but also pulling away at a pace that is imperceptible to the naked eye. It’s in these gentle shifts that Prinzi’s stories shine.   

The first and last stories of the collection act as bookends, almost mirroring each other. At the beginning of the collection, people are desperate: ‘When we realise the moon is shifting away, we beg it not to go. We vow we can change. ’ By the end, this desperation is intensified, but has turned against the moon: ‘Following the will of the people, the government decide to nuke the moon .… Some people believe the moon is the source of all their worldly problems and it’d be for the best if the moon was gone.’ Prinzi’s layered messages in 'The Moon is a Foreign Body, We Can No Longer Trust It' shine as bright as a full moon on a clear night. 

This is a fabulous collection, exploring a range of emotions and situations. There is hope for Louise and her fourth husband, Edwin, who find their way back to each other in 'It Sometimes Snows in April' and the boy who is finally freed from his mother’s snapping in 'How to Make the Magic Work'; sadness for Clyde in 'Bonsai and Clyde,' and something in between for the characters in the title story. Highly recommend. 



About the reviewer
Laura Besley writes short fiction in the precious moments that her children are asleep. Her fiction has appeared online, as well as in print and in various anthologies. Her flash fiction collection, The Almost Mothers, was published in March 2020. You can read a review of it here. She tweets @laurabesley.